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Research Paper Volume 6 Issue 4 1227 - 1231 July 31, 2023

Unravelling the Historical Tapestry of ‘Ghare Baire’

Lead author · Corresponding
Smruthi Rajagopal
Student at Jindal Global Law School, India
Abstract

‘Ghare Baire’ is a captivating political tale set against the backdrop of an era of transition, when the widespread movement popularly known as the ‘Bengal Renaissance’ was at its peak. Satyajit Ray, through this film, adeptly incorporates Rabindranath Tagore's vision of India during the Swadeshi Movement which began as a reaction to the Partition of Bengal. During this period, Bengal witnessed a multitude of occurrences which led to a shift in not only the political landscape but also the mindset of the people. There was a transformation in the role of women, where they finally crossed the boundaries of their homes to actively participate in the Indian National Movement. Several clashes between the Indian tradition and modernity were also perceptible and the question of nationalism versus religious fervour became louder. This article explores these different themes as depicted in the film with close reference to other literature. By examining the thematic depth of "Ghare Baire," this article aims to illuminate the historical significance and enduring relevance of this remarkable film.

Type
Research Paper
Information
International Journal of Law Management and Humanities, Volume 6, Issue 4, Page 1227 - 1231
Creative Commons
CC BY-NC 4.0 This is an Open Access article distributed under the terms of the Creative Commons Attribution–NonCommercial 4.0 International (CC BY-NC 4.0) (https://creativecommons.org/licenses/by-nc/4.0/), which permits remixing, adapting, and building upon the work for non-commercial use, provided the original work is properly cited.
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Copyright © IJLMH 2026
Disclaimer
The views and opinions expressed in this manuscript are those of the author(s) alone and do not reflect the views, policies, or position of the Journal.

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