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Research Paper Volume 9 Issue 2 2929 - 2937 April 30, 2026

Borders and Invisible Violence in the Artworks of Shilpa Gupta and Reena Saini Kallat

Lead author · Corresponding
Senha Morang
Student at Royal School of Fine Arts, The Assam Royal Global University, Guwahati, Assam, India
Co-author
Dr. Sumanta Dutta Chowdhury
Professor at Royal School of Fine Arts, The Assam Royal Global University, Guwahati, Assam, India
View PDF Full text DOIhttps://doij.org/10.10000/IJLMH.1111843
Abstract

Borders are the lines which separate two area or country often create violence not only through war and conflict but also through everyday control, separation, and exclusion. This paper studies how contemporary Indian artists Shilpa Gupta and Reena Saini Kallat explore the idea of borders and invisible violence in their artworks. Instead of showing violence in a direct or physical way, both artists focus on invisible forms of violence created by borders, such as separation, control, fear, and loss. Both of them use mediums like installation, sound, text, and mixed media, they explore how political borders affect human lives, memories, and movements. This research paper primarily focuses on borders and invisible violence related to Shilpa Gupta’s artwork “100 Hand drawn maps of my country” and Reena Saini Kallat’s artwork “Woven Chronicle”. Both artworks show the tension and conflicts through political borders and these invisible forces deeply affect how people experience identity and belonging.

Type
Research Paper
Information
International Journal of Law Management and Humanities, Volume 9, Issue 2, Page 2929 - 2937
DOI: https://doij.org/10.10000/IJLMH.1111843
Creative Commons
CC BY-NC 4.0 This is an Open Access article distributed under the terms of the Creative Commons Attribution–NonCommercial 4.0 International (CC BY-NC 4.0) (https://creativecommons.org/licenses/by-nc/4.0/), which permits remixing, adapting, and building upon the work for non-commercial use, provided the original work is properly cited.
Copyright
Copyright © IJLMH 2026
Disclaimer
The views and opinions expressed in this manuscript are those of the author(s) alone and do not reflect the views, policies, or position of the Journal.

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