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Research Paper Volume 9 Issue 2 2974 - 2981 April 30, 2026

Re-interpreting Myths through Feminist Philosophy: A Study of Nalini Malini’s New Media Art Practice

Lead author · Corresponding
Akansha Gogoi
Student at The Assam Royal Global University, Guwahati, Assam, India
Co-author
Arghamita Sen Sarmah
Assistant Professor at The Assam Royal Global University, Guwahati, Assam, India
View PDF Full text DOIhttps://doij.org/10.10000/IJLMH.1111854
Abstract

Nalani Malini the contemporary Indian artist reinterpretation of feminist philosophy and mythological narratives from Indian and Western traditions. Nalini Malani’s practice through use of video installation, shadow play, animation, soundscapes, and immersive spatial designs themes of gendered violence, patriarchy, memory, and historical trauma. The study primarily focuses on reinterpreting mythological and historical figures particularly female protagonists and challenges patriarchal structures and dominant historical narratives her works, highlighting how new media functions as a critical medium for storytelling and resistance. The research aim to foreground her contribution to feminist discourse and to the development of new media art in contemporary Indian and international art practice.

Type
Research Paper
Information
International Journal of Law Management and Humanities, Volume 9, Issue 2, Page 2974 - 2981
DOI: https://doij.org/10.10000/IJLMH.1111854
Creative Commons
CC BY-NC 4.0 This is an Open Access article distributed under the terms of the Creative Commons Attribution–NonCommercial 4.0 International (CC BY-NC 4.0) (https://creativecommons.org/licenses/by-nc/4.0/), which permits remixing, adapting, and building upon the work for non-commercial use, provided the original work is properly cited.
Copyright
Copyright © IJLMH 2026
Disclaimer
The views and opinions expressed in this manuscript are those of the author(s) alone and do not reflect the views, policies, or position of the Journal.

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