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Research Paper Volume 9 Issue 2 3146 - 3150 May 1, 2026

A Study on the Non-object of Anish Kapoor in Post Modern Art: Selected Artworks of Anish Kapoor’s Concept Space and Infinity

Lead author · Corresponding
Shrestha Chaki
Student at The Assam Royal Global University, Guwahati, Assam, India
Co-author
Dr. Mosumi Deka
Associate Professor at The Assam Royal Global University, Guwahati, Assam, India
View PDF Full text DOIhttps://doij.org/10.10000/IJLMH.1111847
Abstract

This research paper examines new media art within the postmodern context, focusing on how contemporary artists expand traditional boundaries of form and medium. The study centers on Anish Kapoor’s evocative artworks, which provide a vital lens for grasping space and infinity in todays art world. Through industrial materials, gleaming reflective surfaces, and monumental installations, Kapoor builds immersive realms that unsettle visual certainty and summon a profound sense of boundlessness. While not rooted in digital tech, his practice syncs seamlessly with postmodern new media discourse by reimagining sculpture as dynamic, bodily encounter with space. In essence, Kapoor pushes new media art beyond technological boundaries, underscoring its rich perceptual and intellectual possibilities in contemporary creation. Although Kapoor’s approach shuns heavy reliance on digital technologies, it aligns strikingly with postmodern new media discource by transforming sculpture form a static object into a fluid, spatial phenomenon that demands embodied participation.

Type
Research Paper
Information
International Journal of Law Management and Humanities, Volume 9, Issue 2, Page 3146 - 3150
DOI: https://doij.org/10.10000/IJLMH.1111847
Creative Commons
CC BY-NC 4.0 This is an Open Access article distributed under the terms of the Creative Commons Attribution–NonCommercial 4.0 International (CC BY-NC 4.0) (https://creativecommons.org/licenses/by-nc/4.0/), which permits remixing, adapting, and building upon the work for non-commercial use, provided the original work is properly cited.
Copyright
Copyright © IJLMH 2026
Disclaimer
The views and opinions expressed in this manuscript are those of the author(s) alone and do not reflect the views, policies, or position of the Journal.

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