The Image of Women in Modern European Art: The Dada School as a Model

  • Tayf Mohammed Najem,
  • Sarmad Mohammed Najem and Paco bueno camejo
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  • Tayf Mohammed Najem

    Universitat Politècnica de València, College of Fine Arts, Department of Fine Arts, Spain

  • Sarmad Mohammed Najem

    Universitat Politècnica de València, College of Fine Arts, Department of Fine Arts, Spain

  • Prof. Paco Bueno Camejo

    Universitat Politècnica de València, College of Fine Arts, Department of Fine Arts, Spain

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Abstract

Based on the study's findings, the researcher concluded that the Dada school artists' experiences were influenced by the political, technological, and economic changes that the globe was going through at the time. As a result, in addition to the formation of the qualities of movement, speed, and development in the various artistic creations, artistic products crystallized that contained what was relevant to those developments. Whether in painting, sculpture, or photography, the Dada school's depictions of women have endured as a constant symbol of equality and freedom. Based on the study's findings, the researcher concluded that the Dada school artists' experiences were influenced by the political, technological, and economic changes that the globe was going through at the time. As a result, in addition to the formation of the qualities of movement, speed, and development in the various artistic creations, artistic products crystallized that contained what was relevant to those developments. Whether in painting, sculpture, or photography, the Dada school's depictions of women have endured as a constant symbol of equality and freedom.

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Research Paper

Information

International Journal of Law Management and Humanities, Volume 7, Issue 4, Page 892 - 909

DOI: https://doij.org/10.10000/IJLMH.117589

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