Abstract

This paper critically examines Dario Fo's Accidental Death of an Anarchist, a satirical masterpiece that underscores the systemic corruption and hypocrisy within Italian politics during the 1970s. By leveraging absurdity, slapstick humor, and biting wordplay, Fo dissects the socio-political environment that enabled institutional abuses, exemplified by the controversial death of anarchist Giuseppe Pinelli. The play’s evolving script and improvisational performances reflect Fo’s commitment to addressing contemporary political issues, while its engagement with counter-information challenges the audience to scrutinize official narratives. Through the analysis of key scenes and character dynamics, this paper demonstrates how Fo critiques the complicity of law enforcement and other institutions in perpetuating injustice, ultimately advocating for transparency and social reform. By satirizing authority figures and exposing the fragility of their constructed truths, the play transcends theatrical boundaries, asserting itself as a potent instrument for political commentary and public consciousness.

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